I have been “working” too.

When we were in Erie last weekend, someone commented on their recent visit to this site and wanted to confirm that I was in fact still making planes. I assured them I was, but the comment has been rolling around in my head ever since. When we got home, I checked the site and sure enough... there has not been a “planemaking” post for quite a long time. Here is what has been going on in the last two months.



Front to back; A Rosewood filled A5, an English boxwood filled A5*, an Ebony filled A6, an Ebony filled A1 panel, a Rosewood filled No.4, a Rosewood filled A5, a Rosewood filled A1 and a Rosewood filled A2 jointer.

A shot from the other side.



And some detail shots.



This is a family of 4 planes infilled with Rosewood from a single plank. The No.4 is bedded at 52.5 degrees and has a 2" wide blade. The A5 is a York pitch with a 2-1/4" wide blade and the 14-3/4" long A1 and 22-1/2" A2 are bedded at 47.5 degrees. This is going to be a fantastic set of planes to use.




* This is second boxwood filled plane I have made. The first was an XSNo.4 I made last years and I have been dying to make another ever since. Boxwood is a real treat to work with - it cuts like hard butter. I also want to thank Bill Carter for generously supplying the piece for the handle. Finding genuine boxwood is really tough, let alone something large enough to make a handle with.



This past Friday, I shaped this Rosewood handle. Above is a shot I took when I started shaping, and the black streak came alive. To me - this is what dreams are made of! Below is a photo of the handle fully shaped, sanded and ready to have the adjuster fit.



The two Ebony filled planes are at the tail end of the french polishing process - they each have 9 coats at this point and are looking magnificent.

Next update - the kitchen doors!

Christmas in Erie PA

This past weekend, Jill and the boys and I traveled to Erie PA for the Mid-West Tool Collectors meeting. It was a short drive for a change - only 4 hours each way.

The usual suspects were there - Jim Leamy, Paul Hamler, Patrick Leach, Don Rosebrook and Martin Donnelly to name a few. I also had the pleasure of finally meeting Roy Underhill. He gave a talk on Saturday night. Early in the show he was walking around in the tool display and demo area and I had to do a triple take to make sure it was him - he was not wearing his hat.

Paul Hamler is just finishing up what I believe is his last set of miniature planes - a Sandusky Center wheel plow. There were several different configurations - Ebony with ivory arms, Rosewood with ivory arms and even a few solid ivory versions. It was a little overwhelming trying to keep track of them all - and when Paul sent me this photo a week ago - I missed “it”.



On Saturday morning, Riley walked over to me at my bench and handed me a small bubble wrapped package. He said “Happy Fathers Day dad”. As I unwrapped it - I found myself holding a very small African Blackwood bodied, left-handed Center wheel plow. Riley answered my question even before I had a chance to ask it - “I got it for a buck”.

I knew something was up, and judging from the smiling faces around me - their plan had worked.

The plane is magnificent to say the least, and if it you left out familiar objects to give a sense of scale - it could pass for a full sized plane. Paul, my deepest thanks for this stunning and personal tool.

Here are a few photos of the pair of left-handed center wheel plows.






And a few shots to try to give some sense of scale. The rebate plane is 1/2" wide and 3-3/4" long.





And some detail shots as well.







That little brass thing the skate is sitting on... one of the bronze buttons I insert into an infill cap iron.

Paul was also delivering some of his scraper plane inserts and gave a talk on Friday night about its history and evolution. As a fellow toolmaker, it was very interesting to see how it evolved, the prototypes and those “aha” moments that happen at the weirdest times. The spring is the (brilliant) key to this insert - and turns it into an elegant and highly functional tool. I can’t wait to get a No.6 so I can use it.

An amazing “Dad” moment.

And I am still a little stunned.

Riley and I just came in from the shop - lesson one of hand cutting dovetails. We had finished dinner early and I looked over at the clock - 6:45. Hmmm... I wonder if there is enough time? Jill gave us her blessing so we headed out.

As we did the long walk to the shop, I realized I did not really know where to begin teaching Riley how to do this. Where do I start? Stock preparation? No... that is a lesson all on its own. How to hold a saw? No... experience is the best teacher for this. Show examples of how they look? Geeze... I was getting bogged down in the details. K.I.S.S. with emphasis on the simple.

I grabbed a scrap piece of 1x6 pine, cut it to 7" long, ripped it on the bandsaw to two equal width pieces - stock prep done. I did have a sample box that I built while at Rosewood studios several years back. We used that as reference for what through dovetails look like.

I could tell Riley was in the right headspace for doing this - he gently unpacked and admired his Wenzloff saws. I gathered the tools: the Tite-mark gauge, the 4" adjustable square, the sliding bevel and a pencil.

The first task was to define the baselines with the Tite-mark. I showed Riley how it worked, and he layed them all out. I was a little surprised that he had the sense to hold the fence firmly against the stock - I was anticipating having to gently remind him a few times.

We did not bother measuring to locate the tail lines - he just marked them wherever - and they were surprisingly well placed. Then he transferred the tail lines on the top and back down the other side. Again - he held the square correctly against the stock. This was going surprisingly well!



Next was sawing. I explained the difference between a crosscut and rip saw and marked each saws with a quick piece of masking tape (sorry Mike:) I then explained that it was easier to use a saw when you were making vertical cut as opposed to a sideways one. So Riley positioned the wood in the vice so the tail line was vertical (according to his eye) and then he started to cut. Note the index finger!



He held the saw incredibly well. We marked the waste with a Sharpie marker. He switched saws and cut off the waste. The shoulders were surprisingly strait and square.

Onto the pins. We used the tail to mark the pins and drew a big “X” on the waste. Riley grabbed the square to draw in the vertical lines... did I even need to be here???



He reached for the rip saw again, and used his own finger to help start the cut. The two shoulder kerfs were really good - now for the waste. For a second, I debated between coping or chopping the waste. We opted for chopping. Riley was a little nervous about using the chisels... but he soon got over it knowing he was going to get to use the green mallet. We chopped half way through from one side - I held the chisel. The second side went very quick and suddenly - we were done. I was preparing to break into a long speech about how they never fit the first time and would need some fine-tuning... when Riley grabbed the two pieces and pushed them together.

My jaw hit the floor - he was beaming.

The joint was a little loose - but it fit, it had square shoulders and kerfs and it was magnificent. I am not sure who was more proud at that moment.

As we walked back to the house Riley said he wanted to do a four sided one next time. I looked at the clock - 7:30.