A few days ago, I was starting one of the last stages on a pair of
Bayfield rabbet planes - filing the lamb’s tongues where the chamfers
terminate. As I was preparing to do this,
George Walker
immediately came to mind. Over the last several years, George has been
introducing design as it relates to woodworking and furniture making. This
is no small task, and (I think) is more challenging than the technical aspects of woodworking. George has been going to great lengths to demystify and break down design elements into more manageable pieces. Taking seemingly complex shapes and profiles and revealing the simple, building blocks behind them. It was the notion of breaking things down into simple elements that prompted this post.
These 2 planes are scaled down versions of the full sized Bayfield I made last year. The original Bayfield was 1-1/4" wide and 9" long. The larger of these planes is 3/4" wide by 7-1/2" and the smaller one is 5/8" wide and 6" long. The 3 different sizes meant I needed to scale the lambs tongues accordingly.
A lambs tongue can look like a somewhat tricky detail to add, but when you break it down, it is really quite simple. You only need 2 files - a triangular file and a full round file.
The 2 arrows show the locations for starting with each of the 2 files.
This photo show the setup. The plane is elevated on a block of cedar so I can take a longer file stroke. The clamps are somewhat centered so I have lots of room to work around the edges. 2 clamps so it does not pivot and scratch the metal surface.
These are the 3 files for the 2 different sized planes. The top file (1/4") is the round file I used on the original Bayfield. The second one down is also a full round - 3/16". The third file is a full round - 5.32". The file at the bottom is a triangular file with a flat on the edge. I used this same file for all three planes.
This is the first cut. Notice how the file is parallel to the plane. The black sharpie line is where I file too. I am not sure of the angle - I just do it by eye. I file to the sharpie on one side and until it looks right on the other side. It is really important that the triangular file is dead center on the top scribe mark.
This is the round file in the center of the second scribe line. You want to maintain the same angle and keep it parallel to the body of the plane.
This is what it should look like. You can clearly see the triangular cut on the top and the round cut below it. Notice how the two cuts form a fairly crisp peak between them - this is when to stop filing. You will also notice that the flat edge of the triangular file is in line with the sharpie baseline.
With the round file, round over the peak - show above. And that is it - the lambs tongue is done.
Well... not really... we have to file the rest of the chamfer without ruining the lambs tongue. I do this by using a file with a safe edge, and deliberately filing another peak above the lambs tongue (the black arrow). I am essentially making a fence for the file to bump up against. I like to file fairly fast - and this fence gives me just enough protection.
The photo above shows the chamfered edge with the fence still in place.
The fence now removed.
Once the opposite side is done and the top edge is done, it is time to do the rounded corner.
The above photo shows what the rounded end looks like before rounding. You will notice that the flat chamfers meet at the center of the radius - this is a good sign and helps me know that everything is lining up correctly.
To file the radius, start with a coarse file and treat it like a series of flat segments. Don’t worry about getting it round yet - focus on keeping the angle of the chamfer consistent from one end of the radius to the other. Once it looks right (the above photo looked good to me)....
.... then you can use a finer file to start blending the flat segments into a rounded chamfer.
The above photo shows the front corner. The chamfer has been further refined at this point - you will notice the texture has changed. This is the surface left from drawfiling. The corner is not quite right, but is very close - close enough to move to the last file.
This photo shows the fully shaped and polished chamfer.
And the other end of the plane.
The completed pair.
I will post photos of this pair of planes shortly.
11 Comments:
Konrad, beautiful workmanship.
Tyler
Beautiful indeed!!
David
To repeat an often used phase (by me anyway) awesome work KS, I love how the figure of the infill peeks through the "window" on the side - true attention to detail, and that lamb's tongue...'nuff said.
Rich
Another wonderful exhibition of your incredible skills. Don't be shy about making your way across the Atlantic to let us Brits have a taster of your fantastic tools.
Saaaaawwwwwweeeeeeeeeettt!!!
Pure art my friend...pure art!!!
Those wedges are just ridiculous. Seriously, do you have some sort of rosewood replicator? I can hear you now in your best Picard voice, "Rosewood...Brazilian...figured"
Great stuff Konrad, The wedges look like waves in a lake of wood. Love the infill peeking through!!
Stunning work. Can't wait to see your planes in person this weekend
These are really really nice!
wow!
massively impressive planes, and such impeccable craftsmanship. Your photos are intimate and do a great deal to show your attention to detail, I only wish ebay sellers could take such fine and comprehensive photos.
I absolutely love the sweeping line beneath the pink ivory rear tote, that one detail makes a world of difference over the plane above it and sets it apart from any I ever seen.
Thanks for sharing, I'd love just once to use one of these
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